"branded influence"

by CRAOW

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    Full length number four from Providence’s Craow. “Branded Influence” is six tracks of burnt percussion, effected vocals and songs with the distilled essence of pineal gland extraction and adrenaline. The atmosphere is thick and the sounds are tuned to some strange stations.

    Craow is Sean Halpin who can play various roles from multi-genre musician to budget recording engineer that allows has helped him understand mood, texture and flow in regards to making a record as well as his live performances .

    Includes unlimited streaming of "branded influence" via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
03:53
I don't like it at all I don't like it at all at all , I don't like it at all It like it, at all, at all
2.
Child of Industry , Finding death 100 years ago Your energy still radiates , and it affects me Eating , Sleeping and thinking about, All the useless things I do with my time. I'll sleep where its warm tonight, in the place you suffered the most I'll lay and i'll rest inside of the place you worked your fingers to the bone I'll live and i'll work inside in the place still haunted by your ghost. I can only imagine what its like to be summit as nothing more than ashes left from a fire.
3.
04:07
Face covered in scared tissue looks through the glass down on an old shitty parking lot covered in trash broken plastic chair on top of oil stained pavement neither see use both left totally abandoned Excuse me if I fail to listen I heard the joke i but didn't get the punch line at all Prisoner of power what do you regret your addiction to destruction and all the misery its brought and left now all the perverts lay in circles hands on each others chest they know a world without cancer they have no need to progress past Excuse me if I fail to listen They're reinventing the land scape while you stand hot contention a book burns slowly obstructing me view , I heard the joke but didn't get the punch line at all.
4.
07:04
We planned for so long for everything that could go wrong Locked into a safe pace slowly running up I all comes with the times fresh as all the others slowly passing by without knowing any better You take what you want and you run You that what you want and you run Shadowed through Writings on the wall Slowly passing through Do what it takes to make yourself feel whole You take what you want and you run You that what you want and you run
5.
03:36
Body of wander Don't deny me let me in Its fucking cold outside Don't deny me let me in Don't deny me let me in Its fucking cold outside Don't deny me let me in Don't deny me let me in Don't deny me let me in Don't deny me let me in We'll breath in the fresh air then escape to go smoke cigarettes in the closet Don't deny me let me in Don't deny me let me in Don't deny me let me in Don't deny me let me in
6.
03:54
I run up hills deep in the night I run up hills under the night sky I run up hills deep in the night I run up hills the resistance feels right With all this quiet time I've been thinking I run up hills deep in the night I run up hills under the night sky I run up hills deep in the night I run up hills the resistance feels right I don't like it at all sitting down covered in dust surrounded by material distraction of commercial lust We know the game is rigged And through our money on the table The red card is useless when the winner takes it all on black I run up hills

about

Full length number four from Providence’s Craow. “Branded Influence” is six tracks of burnt percussion, effected vocals and songs with the distilled essence of pineal gland extraction and adrenaline. The atmosphere is thick and the sounds are tuned to some strange stations.

credits

released October 1, 2019

Written and Recorded by Sean Halpin at T-Fab & Black Lace 2016-2018 in Providence RI.

Mastered by Rashad Becker @ Dubplates
Layout & Design by Tayla Roberge

Photos by Tara Cimini & Sean Halpin

Thanks to Ben @ National Waste Products

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tags

about

Craow Providence, Rhode Island

Craow’s sound can be described as a unique approach in his song writing using dark beat heavy electronic music falling between the genres of EBM and the “wave” music of the early 80s. Craow’s utilizes thick and heavy rhythmic sounds under cold/and discordant melodies processed vocals coated with effects. ... more

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